THE FRENCH REVOLUTION 1789-1792

The storming of the Bastille fortress by people of Paris

 THE FIRST REPUBLIC 1789-1792 (The Reign of Terror)

The guillotine

 THE FIRST EMPIRE 1804-1814 

In 1804, Napoleon Bonaparte declares himself Emperor of the French.

Napoleon I

THE RESTORATION 1814-1830

Louis XVIII (House of Bourbon) is installed as king.

Louis XVIII

THE JULY REVOLUTION 1830

THE JULY MONARCHY  1830-1848

The crown goes to Louis Philippe (House of Orléans).

Louis Phillipe

THE REVOLUTION OF 1848

THE SECOND REPUBLIC  1848-1852

The nephew of Napoleon I, Louis Napoleon Bonaparte, is elected president.

Louis Napoleon, president of the 2nd Republic

THE SECOND EMPIRE  1852-1870

In December 1851, Louis Napoleon Bonaparte stages a coup d’ėtat. He becomes Napoleon III of the Second Empire.

Napoleon III (same man, upgraded wardrobe)

THE THIRD REPUBLIC 1870-1940

The Third Republic established itself after the defeat of Napoleon III during the Franco-Prussian War (1870-1871). Taken prisoner after the decisive Battle of Sedan, he was later exiled to England, where he died in 1873. 

Napoleon III prisoner of Bismarck

THE  SIEGE OF PARIS

September 19, 1870 to January 28, 1871

Besieged by the Prussian army, the Parisians eat everything on four legs, including rats.

A soup kitchen during the Siege of Paris

THE PARIS COMMUNE

March to May 1871. Popular uprising comparable to the revolution of 1789, severely repressed by the government and ending in the Bloody Week during which an estimated 30,000 people were killed or summarily executed.

Paris burning during the Commune - in the foreground the imperial palace

End of the Bloody Week - bodies exhibited for identification

Excerpt from Innocents Abroad by Mark Twain, published in 1869

From sumptuous Versailles, with its palaces, its statues, its gardens and its fountains, we journeyed back to Paris and sought its antipodes – the Faubourg St. Antoine.  Little, narrow streets; dirty children blockading them; greasy, slovenly women capturing and spanking them; filthy dens on first floors, with rag stores in them (the heaviest business in the Faubourg is the chiffonier’s); other filthy dens where whole suits of second and third-hand clothing are sold at prices that would ruin any proprietor who did not steal his stock; still other filthy dens where they sold groceries—sold them by the half-pennyworth—five dollars would buy the man out, goodwill and all.  Up these little crooked streets they will murder a man for seven dollars and dump the body in the Seine.  And up some other of these streets most of them, I should say— live lorettes.

All through this Faubourg St. Antoine, misery, poverty, vice, and crime go hand in hand, and the evidences of it stare one in the face from every side. Here the people live who begin the revolutions.  Whenever there is anything of that kind to be done, they are always ready.  They take as much genuine pleasure in building a barricade as they do in cutting a throat or shoving a friend into the Seine.  It is these savage-looking ruffians who storm the splendid halls of the Tuileries occasionally, and swarm into Versailles when a king is to be called to account.

But they will build no more barricades, they will break no more soldiers’ heads with paving-stones.  Louis Napoleon has taken care of all that.  He is annihilating the crooked streets and building in their stead noble boulevards as straight as an arrow—avenues which a cannon ball could traverse from end to end without meeting an obstruction more irresistible than the flesh and bones of men—boulevards whose stately edifices will never afford refuges and plotting places for starving, discontented revolution breeders.  Five of these great thoroughfares radiate from one ample centre—a centre which is exceedingly well adapted to the accommodation of heavy artillery.  The mobs used to riot there, but they must seek another rallying-place in future.  And this ingenious Napoleon paves the streets of his great cities with a smooth, compact composition of asphaltum and sand.  No more barricades of flagstones—no more assaulting his Majesty’s troops with cobbles.

From Innocents Abroad by Mark Twain

Text written in 1867 on the occasion of the Exposition Universelle

***

Presently there was a sound of distant music; in another minute a pillar of dust came moving slowly toward us; a moment more and then, with colors flying and a grand crash of military music, a gallant array of cavalrymen emerged from the dust and came down the street on a gentle trot.  After them came a long line of artillery; then more cavalry, in splendid uniforms; and then their imperial majesties Napoleon III and Abdul Aziz.  The vast concourse of people swung their hats and shouted–the windows and housetops in the wide vicinity burst into a snowstorm of waving handkerchiefs, and the wavers of the same mingled their cheers with those of the masses below. It was a stirring spectacle.

But the two central figures claimed all my attention.  Was ever such a contrast set up before a multitude till then?  Napoleon in military uniform–a long-bodied, short-legged man, fiercely moustached, old, wrinkled, with eyes half closed, and such a deep, crafty, scheming expression about them!–Napoleon, bowing ever so gently to the loud plaudits, and watching everything and everybody with his cat eyes from under his depressed hat brim, as if to discover any sign that those cheers were not heartfelt and cordial. Abdul Aziz, absolute lord of the Ottoman empire–clad in dark green. European clothes, almost without ornament or insignia of rank; a red Turkish fez on his head; a short, stout, dark man, black-bearded, black-eyed, stupid, unprepossessing–a man whose whole appearance somehow suggested that if he only had a cleaver in his hand and a white apron on, one would not be at all surprised to hear him say: “A mutton roast today, or will you have a nice porterhouse steak?” Napoleon III, the representative of the highest modern civilization, progress, and refinement; Abdul-Aziz, the representative of a people by nature and training filthy, brutish, ignorant, unprogressive, superstitious–and a government whose Three Graces are Tyranny, Rapacity, Blood. 

 Here in brilliant Paris, under this majestic Arch of Triumph, the First Century greets the Nineteenth! NAPOLEON III., Emperor of France!  Surrounded by shouting thousands, by military pomp, by the splendors of his capital city, and companioned by kings and princes–this is the man who was sneered at and reviled and called Bastard–yet who was dreaming of a crown and an empire all the while; who was driven into exile–but carried his dreams with him; who associated with the common herd in America and ran foot races for a wager–but still sat upon a throne in fancy; who braved every danger to go to his dying mother–and grieved that she could not be spared to see him cast aside his plebeian vestments for the purple of royalty; who kept his faithful watch and walked his weary beat a common policeman of  London–but dreamed the while of a coming night when he should tread the long-drawn corridors of the Tuileries; who made the miserable fiasco of Strasbourg; saw his poor, shabby eagle, forgetful of its lesson, refuse to perch upon his shoulder; delivered his carefully prepared, sententious burst of eloquence upon unsympathetic ears; found himself a prisoner, the butt of small wits, a mark for the pitiless ridicule of all the world–yet went on dreaming of coronations and splendid pageants as before; who lay a forgotten captive in the dungeons of Ham–and still schemed and planned and pondered over future glory and future power; President of France at last! a coup d’etat, and surrounded by applauding armies, welcomed by the thunders of cannon, he mounts a throne and waves before an astounded world the sceptre of a mighty empire!  Who talks of the marvels of fiction?  Who speaks of the wonders of romance?  Who prates of the tame achievements of Aladdin and the Magii of Arabia?

ABDUL-AZIZ, Sultan of Turkey, Lord of the Ottoman Empire!  Born to a throne; weak, stupid, ignorant, almost, as his meanest slave; chief of a vast royalty, yet the puppet of his Premier and the obedient child of a tyrannical mother; a man who sits upon a throne–the beck of whose finger moves navies and armies–who holds in his hands the power of life and death over millions–yet who sleeps, sleeps, eats, eats, idles with his  eight hundred concubines, and when he is surfeited with eating and sleeping and idling, and would rouse up and take the reins of government and threaten to be a sultan, is charmed from his purpose by wary Fuad Pacha with a pretty plan for a new palace or a new ship–charmed away with a new toy, like any other restless child; a man who sees his people robbed and oppressed by soulless tax-gatherers, but speaks no word to save them; who believes in gnomes and genii and the wild fables of The Arabian Nights, but has small regard for the mighty magicians of to-day, and is nervous in the presence of their mysterious railroads and steamboats and telegraphs; who would see undone in Egypt all that great Mehemet Ali achieved, and would prefer rather to forget than emulate him; a man who found his great empire a blot upon the earth–a degraded, poverty-stricken, miserable, infamous agglomeration of ignorance, crime, and brutality–and will idle away the allotted days of his trivial life and then pass to the dust and the worms and leave it so!

 Napoleon has augmented the commercial prosperity of France in ten years to such a degree that figures can hardly compute it.  He has rebuilt Paris and has partly rebuilt every city in the state.  He condemns a whole street at a time, assesses the damages, pays them, and rebuilds superbly.  Then speculators buy up the ground and sell, but the original owner is given the first choice by the government at a stated price before the speculator is permitted to purchase.  But above all things, he has taken the sole control of the empire of France into his hands and made it a tolerably free land–for people who will not attempt to go too far in meddling with government affairs.  No country offers greater security to life and property than France, and one has all the freedom he wants, but no license–no license to interfere with anybody or make anyone uncomfortable. As for the Sultan, one could set a trap anywhere and catch a dozen abler men in a night.

The bands struck up, and the brilliant adventurer, Napoleon III., the genius of Energy, Persistence, Enterprise; and the feeble Abdul-Aziz, the genius of Ignorance, Bigotry, and Indolence, prepared for the Forward–March! We saw the splendid review, we saw the white-moustached old Crimean soldier, Canrobert, Marshal of France, we saw–well, we saw everything, and then we went home satisfied.

From the Goncourt Journal

Text written in 1857

***

June 7^th

Dinner at Asseline’s with Anna Deslions, Adèle Courtois, a certain Juliette, and her sister.

Anna Deslions, Bianchi’s former mistress and the woman who ruined Lauriston: thick black hair, magnificently untidy; velvety eyes with a glance like a warm caress; a big nose but sharply defined; thin lips and a full face—the superb head of an Italian youth, touched with gold by Rembrandt.

Adèle Courtois, an old, nondescript tart boosted by Figaro.

Juliette, a little pastel-portrait with her rumpled, frizzled hair worn low on the forehead—she is mad about low foreheads—a slightly crazy La Tour, a little blonde with something of the Rosalba picture in the Louvre, Woman with Monkey, partaking of the monkey as well as the woman. And her sister, a dried-up little thing and pregnant into the bargain: looking like a big-bellied spider.

And to provide a piano accompaniment to the evening’s festivities, Quidant, a bordello jester with a thoroughly Parisian sense of humour, a ferocious irony: hoarse-voiced, mealy-mouthed, red-faced, and slit-eyed.

Hubert Sattler: Paris 1867

(From Paris Partout! A guide for the English and American Traveller in 1869 or How to see PARIS for 5 guineas)

Recent history

1789 Capture of the Bastille

1792 Republic proclaimed

1793 Execution of Louis XVI

1804  Napoleon Bonaparte proclaimed Emperor.

At the outbreak of the Revolution in 1789, one third of Paris had been occupied by ecclesiastical property. Since much of it was subsequently expropriated, and then sold to speculators or retained by state, Napoleon availed himself of an opportunity to beautify the city, opening the rue de Rivoli, completing the Louvre Palace, and beginning the Arch of the Etoile.

1814 Abdication of the Emperor. Restoration of the Bourbon Louis XVIII.

1824 Succession of Charles X

1830 Three-day revolution. Louis-Philippe, Duke of Orleans, proclaimed King. He completed the Arch of the Etoile, the Madeleine, enlarged the Hôtel de Ville, and repaired many neglected monuments, as well as widening principal thoroughfares. During this reign, Paris was surrounded with the present fortified wall and ditch, and the detached forts erected.

1848 February revolution. After two days’ fighting, Louis Philippe fled, and republic was proclaimed. The words ‘Liberté, Egalité, et Fraternité’ met the visitor’s eyes in every direction; they have now been erased. Louis Napoleon, son of Louis Bonaparte, King of Holland and nephew of the first Napoleon, elected by universal suffrage President of the French Republic.

1851 2 December. Discretion compels us to pass over the coup d’état which took place on this date. Suffice it to say that exactly a year later, Louis Napoleon was elected Emperor by universal suffrage, and the present regime, known as the Second Empire was established. In 1853 Louis Napoleon married the present Empress, Eugénie de Montijo. Since these events, works of public utility in Paris have proceeded at a pace quite stupendous, throwing into shade everything previously achieved in any city of the world. Picturesque but insalubrious quarters of narrow and crooked streets have been cleared, the boulevards extended, railways constructed.

Paris today 

Today visitor to Paris will find a population between one and a half and two million. In 1860 the line of fortified wall which surrounds the city was made the municipal boundary; this wall is rather more than 22 miles in circuit, and has 66 entrances or gates.

The city is divided into 20 arrondissements, with their own administrations, over which are placed the Prefect of the Seine, Baron Georges Haussmann, and his municipal council. The modern fashionable quarter comprehends the bright and brilliant rue de Rivoli, Place Vendôme, Boulevard des Italiens and the Champs Elysées. The Palace of the Tuileries is the Paris residence of the Emperor and Empress; on the Ile de la Cité are the law courts, central police office, and the great hospital; there is nothing like ‘the City’ in London – the Bourse or Stock Exchange being close to the fashionable quarter. In the Faubourg Saint-Germain, on the Left Bank of the river Seine, stand the vast hotels of the nobility, in which some of the traditions of old French society are maintained; in the adjoining Latin Quarter, many thousands of students lead a life of riot and license hardly to be understood by a foreigner. To the East, in the Faubourg S. Antoine, are numerous manufactories and the dwellings of those who work in them, formerly the hotbed of terror and insurrection. On the outskirts, as in the Faubourg S. Victor, Mouffetard, Belleville &c, are to be found the most wretched of the population; but Paris may at least be proud that it possesses fewer dens of misery, filth and vice than the vicinity of Tottenham Court Road or Drury Lane can exhibit.

Next: Find a hotel

The year is 1855. An enthusiastic crowd lining the boulevards greets Queen Victoria with her husband Prince Albert and the French imperial couple, Napoléon III and the Empress Eugénie, as their open carriages progress across Paris. It is the first visit of a British ruler since 1431 and it has been a tremendous success on several levels. Both monarchs have become firm allies in the Crimean War, the term “entente cordiale” was coined between them, and lasting personal friendships have been born.

Albert is much taken with the elegant Eugénie. “Altogether I’m delighted to see how much he likes her and admires her,” the queen notes in her diary, “as it is so seldom that I see him do so with any woman.” Victoria herself is experiencing a pleasant electric current each time Napoléon III whispers endearments into her ear, compliments her on her dress or tickles the back of her hand with his moustache. No man had ever dared flirt with her and it is all so very French!

If the 10-day visit made such a good impression on the parents, the two children Victoria and Albert brought along were quite smitten. Vicky, the Princess Royal, broke into tears and pleaded for more time in France. Her 13-year old brother Bertie, the future king Edward VII, took a more direct action. The day he found himself alone with Napoléon III, he said: “You have a nice country and I would like to be your son.” When his proposal met with no success, he tried again, this time with Eugénie. “You parents cannot do without you,” she replied. “Not do without us?” Bertie exclaimed. “Don’t fancy that, for there are six more of us, and they don’t want us.”

The unloved Bertie grew up into a playboy. The Prince des Galles, as he was known in France, returned many times, enthusiastically sampling all the pleasures Paris could offer.

Related post:

Mark Twain on Napoleon III

André-Adolphe-Eugène Disdéri (1819 -1899)

Photographic portraiture in the mid 19^th century was a slow and expensive process until a clever man invented the carte de visite format. The inventor, André-Adolphe-Eugène Disdéri, juxtaposed multiple shots on the same negative, forming a mosaic comparable to that of the photo booth camera. The process, patented in 1854, reduced the cost of production of each photograph and made this kind of portraiture more popular. The visit card took its final shape when each image was pasted on a slightly larger rigid cardboard bearing the name and address of the photographer.

A plate with eight portraits of Princess Lizaveta Trubetzkaya posing with different fashion accessories, 1858

At first, the portrait card was limited to the narrow circle of the aristocracy and the business in the studio was slow. Then, in 1858, the emperor Napoleon III dropped in on his way to a military campaign in Italy. His portrait was immediately sold by the hundreds throughout Paris. The celebrities, who instantly understood the value of the process, wanted in turn to see their image immortalized in the form of a portrait-card and displayed behind the windows of the souvenir shops on the main boulevards. Political leaders, men of letters, stars of the theater and opera, clowns and acrobats, dancers and women of the demimonde, all joined in. The phenomenon, far from being confined to the capital, quickly won major provincial cities. It spread throughout France, Europe, and later the United States. The images of Queen Victoria, President Lincoln, or Sarah Bernhardt were sold by hundreds of thousands. Following the lead, the bourgeois, too, got on board. Smaller studios opened their doors to produce family portraits.

The emperor became a  loyal customer along with his son, wife, and numerous mistresses

Queen Victoria, too, posed for several portraits

So did Cora Pearl, one of the most rapacious of all leading courtesans

Performers considered the visit card an essential self-promoting tool. Here is Monsieur Léotard with his trapeze c.1865

The evolution of photography brought social changes. The living room now contained a heavy album with portraits of family members, to which were added others containing collections of now immediately identifiable celebrities, of art, curiosities, and faraway places.  Hidden in secret drawers were new gentlemen’s treasures: the first pornographic photographs.

Was it Disdéri’s assistant or the Master himself who spent considerable time creating this photo montage of ballerinas’ legs? It was, no doubt, a bestseller. A woman’s ankle was rarely seen, let alone a knee!

Emilie Ellis showing almost all. Fashionable legs were rather on the heavy side. Thin wasn’t in

Disdéri’s carte de visite offered a direct view of society, of its rulers, artists, and other personalities of the Second Empire. It helped to forge new connections between people and enriched the social and cultural knowledge.

To visit a 19th century photography studio, click on the image below. It will take you to the Camera Museum.

Related posts:

Mark Twain on Napoleon III

Cocottes and Cocodettes: Two faces of the same morality

Ever since she became an empress, Eugenie de Montijo feared Queen Marie-Antoinette’s fate. She was right to feel uneasy. Eighteen years into the reign and some eighty years after Marie-Antoinette’s head was severed under the guillotine, Eugénie ran in terror through the streets of Paris with a mob at her heels. The year was 1870 and the only friend the French empress found in her distress was her American dentist.

Eugenie doesn’t deserve her lack of fame. Who doesn’t know Marie-Antoinette and her horrible end? Who has never heard of Empress Josephine, the wife of Napoleon I? Both are legendary figures of the French history. One was executed; the other had to agree to a divorce. That the French had two more empresses, Marie-Louise and Eugenie, is a lesser known fact. Marie-Louise’s contribution to the French history was reduced to giving Napoleon his only legitimate heir, an heir that Josephine was unable to provide.  After the fall of the First Empire, Marie-Louise and her little son (who might have ruled as Napoleon II had he not died in the exile) went to live in her native Austria and neither saw France again.

Napoleon III

With the Bonaparte family banished from the country, France went through two Bourbon kings and two revolutions to become, again, a republic. After 34 years in the exile, the Bonapartes were back, this time headed by Louis Napoleon Bonaparte, the nephew of Napoleon I. His four-year stint as an elected French president ended in 1852 with a coup d’état when he took what he considered rightfully his: the imperial crown. Henceforth, he was known as Napoleon III.

Generally, the French don’t like Napoleon III. They call him Napoleon le Petit and they say that he did nothing for the glory of France. They seem not to notice that their glorious Napoleon I turned Europe into a battlefield where he sacrificed an entire generation of Frenchmen and caused untold misery to people all over the continent from Spain to Russia. His nephew, on the contrary, was an achiever of another sort. Under his 18-year rule, France conquered the world with her culture and industry. He was the builder of Paris as we know it today, with the wide avenues and sanitary underbelly. He was a modern man in every sense and he truly cared for his people’s well-being.

Fortunately, the new emperor was a bachelor and he could hope to find a bride of royal blood to solidify his lofty position.  Unfortunately, he was also the slave of his lust. While his emissaries were shopping for a suitable bride among the reluctant royal families of Europe—they all still smarted from the consequences of his uncle’s conquests—Napoleon III met the woman of his life and she was not a royalty.

Even though Eugenie de Montijo was a stunning beauty, she would never have made the history books had she been only one of Louis Napoleon’s easy conquests. Let’s say it right here:  the man had a long list of bedroom adventures although he wasn’t averse to having sex in any other room, in any stationary or moving vehicle, or even in a haystack –  standing, sitting or laying down.  His sexual appetite was legendary and sometimes embarrassingly noticeable. His Majesty the Empereur was renamed by his sneering courtiers His Majesty the Ampleur.

In Eugenie he found a fortress to be conquered. The rules were laid down very early after the two met.  He was still the Prince-President of the French Republic, she the 26-year-old daughter of a widowed Spanish countess. He invited the two women for a weekend in a country chateau. As he was returning from a horse ride, he spotted Eugenie at one of the numerous windows. Not knowing the exact layout of the building, he called: “How do I get to you?” “Through the chapel, Sire,” she answered.

The siege of Eugenie lasted eleven months before her would-be-conqueror declared defeat. By that time France had, once again, become an empire with Louis Napoleon on the throne. Everyone, especially his family, expected him to do his duty by marrying a virginal foreign princess. Instead, he presented them with a Spanish adventuress of dubious virtue. They were furious.  “But I love her,” he said simply.

Eugenie’s extraordinary resistance to seduction was explained during the wedding night.  She had no appetite for physical love. “Sex? Quelle saleté!” (Sex? What filth!) she was heard saying the next morning. Despite his wife’s attitude, the emperor remained faithful to her for a period of six months before he returned to his old habits. That did not sit well with the new empress. She was very particular about her possessions and she would make a scene for a displaced pillow let alone for a displaced husband. The household was soon aware of her displeasure, most of all the emperor, who was forbidden access to the marital bed. But the pair had to produce an heir. A truce followed during which the task was accomplished. A lovely baby boy was born and given the title Prince Impérial. There were no other children. For the rest of the Napoleon III’s reign, the easily virtuous Eugenie presided over one of the most debauched courts in history, a court where adultery was the norm and a one-night stand with the emperor a badge of honor.

The Second Empire court at its zenith. A soiree at the Tuileries, 1867

By now the reader has reached the opinion that Eugenie was a gold-digger with a block of ice where her heart ought to have been. That is incorrect. Most of her life was spent in serious charitable endeavors. An early feminist, she was pushing for female education and advocating the recognition of women’s achievements in literature, arts, and education. That her efforts were largely unsuccessful was the fault of the society she lived in. The reforms she championed came too early.

As an empress, Eugenie was without a reproach. Always courteous and elegant, she represented her country admirably, whether at home or abroad. Queen Victoria, favorably impressed, quickly became Eugenie’s intimate friend. Politically, Eugénie certainly had an influence on the Emperor, especially when he was weakened by a disease in the last years of his reign.  The Bonapartes had many enemies; the most influential among them was the ultra republican Victor Hugo, author of Les Misérables. Acting from his exile, he bombarded the imperial pair with insulting pamphlets.  The mud stuck and Eugenie was blamed for everything that went wrong. Like Marie Antoinette, she was foreign and foreign queens were suspected of spying for their homeland and generally wishing ill to the French populace.

The declaration of war on Prussia and the consequent debacle were entirely laid at her feet. While her husband, suffering from a debilitating pain, vainly sought honorable death on the battlefield before surrendering to Bismarck, Eugenie refused to shoot into an angry mob that surrounded the imperial palace.  She chose to flee.  Alone, she tried several addresses before help was offered.  Her savior was Dr. Evans, her American dentist. The pair sneaked off to the coast where the empress, in strict incognito, boarded a ship for England.  As for Dr. Evans, he dined on the story for the rest of his life.

The widowed Eugenie and her son in a Tissot’s painting

After the emperor’s comfortable imprisonment in the newly formed German Empire, the family is reunited in Camden Place, Chislehurst, southeast of London, to begin a life in the exile.  A plan for regaining his throne is certainly in the making when the emperor dies. From then on, Eugenie lives entirely for her son’s future.  Not long after, tragedy strikes again: the prince, engaged in the war with the Zulus in South Africa, is slain by the savages.

The news makes the round of the planet. That his mother is devastated is understandable. But the prince’s death crushed the hopes of numerous Bonapartists. It was generally understood that should the handsome prince claim the imperial crown it would be his for the taking. The grief in France could be compared to the one felt by the British when Princess Diana succumbed after the car accident. Husbandless and childless, Eugenie drags her sorrow through the rest of her long life. She dies in 1920 at the age of ninety-four.

Related posts:

Mark Twain on Napoleon III

Cocottes and Cocodettes

The Guide to Gay Paree 1869

How Germany Was Born in France

When you take a guided tour in France—whether it is a Loire château, or any other building erected before 1789—inevitably, there comes the time when the guide says: “Unfortunately, during the Revolution…,” and there follows a list of damaged or destroyed artifacts. The French were fond of revolutions – when they were happening. Afterward, seeing what they had done in moments of passion, they wept.

The 1789 revolution, the very first one, is well known. The guillotine, the years of terror, the king Louis XVI and the queen Marie-Antoinette executed. Having gotten the taste of it, the French people became serial revolutionaries. March 18 marks the anniversary of the Commune of Paris, one of the three revolutions that shook the city in the 19^th century and, decidedly, the bloodiest of all. The sixty-two days of its duration caused up to thirty thousand deaths (the number varies according to different sources).

What led to this bloodbath? Why did the prosperous France of the Second Empire wake up as an impoverished Third Republic? Why was Paris in ruins?

In July 1870, the French declare war on Prussia, or, rather, are tricked to do it. The crafty Chancellor Bismarck needs the conflict to unify a collection of small German-speaking countries into one powerful nation. Ill-prepared, the French army is defeated by the Prussians in the battle of Sedan and the emperor Napoleon III made prisoner. Riots in Paris follow the bad news and the next day, September 4^th, the empire is overthrown. A Republican government moves into the City Hall, while the Prussians close in on Paris.

During the siege, dogs, cats, and rats were sold at high prices. The rich dined on exotic meat provided by the zoo animals

Paris is besieged during the winter months. The weather is cruel and the city suffers from a severe famine. Hunger and typhoid fever ravage Paris from within, while the Prussians shell it from the outside. Starved and ill, the Parisians learn that a new humiliation had visited the country: the German Empire was proclaimed in Versailles and an armistice has been signed.

The Empire of Germany, a new European power, is proclaimed in the Versailles palace

This does not sit well with the Parisians, who do not consider themselves defeated. The German boots desecrating the exquisite beauty of the Hall of Mirrors? Ce n’est pas acceptable! Anger is rising when they learn the terms of peace.  The Germans demand a two-day entry to Paris, the surrender of two provinces (Alsace and Lorraine) and war reparations amounting to one billion gold coins. Their army would occupy the country until the debt is paid off.

The German victory parade in the streets of Paris

Aware that a revolt is brewing, the government moves its headquarters from Paris to Versailles.  The spark ignites when the government tries to disarm Paris by confiscating 248 cannons from Montmartre and other working-class neighborhoods on the periphery. The cannons belong to the city; they were paid for by war subscription. The people rise to defend their property and the soldiers’ loyalty shifts. Two generals are seized and shot. There is no way back. The insurgents erect barricades and the Commune of Paris is proclaimed.

800 barricades went up in the city

Elected on March 26th, the Commune is in direct opposition to the conservative national government. The core, like in all revolutions, are intellectuals, students, writers, artists, and artisans with egalitarian ideas and the vision of justice for all. Outraged as they are by the government’s betrayal, many Parisians of the middle class join in the insurrection. The main muscle of the revolution is the impressionable working class which, when excited, easily turns into a mob.

Women were heavily engaged in the insurrection, both as nurses and combatants. The 1789 revolution had its tricoteuses (women who took their knitting to the guillotine to keep their hands busy during the executions). The Commune of Paris gives birth to the pétroleuses. “The women behaved like tigresses, throwing petroleum everywhere and distinguishing themselves by the fury with which they fought”. (Edwin Child, a young Londoner working in Paris.)

The basic ideas of the revolution are modern and positive: reform of the working conditions, good children education, separation of the church and the state, women’s equality. Their application is awkward, to say the least. “Property is theft,” the revolutionaries declare as they seize the Bank of France. All religious institutions are invaded, their material goods confiscated, the churches turned into social clubs for the people. On April 23, George Sand, the famous novelist and, herself a Republican, writes to Gustav Flaubert, author of Madame Bovary:  “The horrible adventure continues. They ransom, they threaten, they arrest, they judge. They have taken over all the city halls, all the public establishments, they’re pillaging the munitions and the food supplies.” 

Churches became social clubs for the people

Without a clear program and with no political experience, the feeling of brotherhood, with which the Commune started, changes into quarrel and resentment. Valuable time is lost in endless debates and little is achieved. Like George Sand, Parisians become tired of this bizarre social experiment. They long for peace and quiet; the poorer ones want to return to their familiar misery with its own reassuring habits. Others, the ardent supporters, are determined to fight. “The Commune or death!” they chant.

The Versailles troops approach the walls of Paris

Meanwhile, in Versailles, the government has reconstituted the army with war prisoners released by the Germans. The Germans hold their position northwest of the city while the Versailles troops approach from the southeast. Paris is surrounded again. The insurgents attempt several attacks outside the city walls, each time with no success. They send emissaries to Versailles, who are killed. The Commune, in turn, captures hostages, chiefly among the clergy.  On May 21st, the Versailles troops break in and the infamous Bloody Week begins.

Barricades are reinforced and new ones added as the combat rages street by street. The soldiers break into houses and pierce the walls to avoid confrontation with the barricades

The army takes no prisoners. Every adversary is shot dead. Unarmed civilians caught with gunpowder traces on their hands are executed as well. The Communards take revenge by killing the hostages. The Archbishop of Paris is among the victims.

The massacre of hostages

The execution of the Archbishop of Paris

Paris burning. In the foreground is the imperial palace

Paris is shelled again, this time by the French army. The Ministry of Finance is destroyed in the process. Fires break out in many prestigious locations. These are later explained by the partisans of the Commune as the result of the shelling. However, most of the gutted buildings bore no traces of the shelling. They were deliberately set on fire. The legend of the pétroleuses, if it is a legend, started here. As a result, working-class women caught carrying a suspicious container were summarily executed.

The City Hall on fire

The imperial palace after the fire

Government and police offices are consumed by the fire, their archives destroyed. The air, already unbreathable, is filled with whirling charred paper remains that settle on the roofs and sidewalks. The Tuileries palace is a total loss. The stones will be sold, piece by piece, as construction material. A wing of the Louvre also suffered fire damage.

The novelist Emile Zola, was one of the first reporters to enter the city during the Bloody Week. He wrote: “Never in civilized times has such a terrible crime ravaged a great city […] The men of the Hotel de Ville could not be other than assassins and arsonists. They were beaten and fled like robbers from the regular army, and took vengeance upon the monuments and houses […] The fires of Paris have pushed over the limit the exasperation of the army. […] Those who burn and who massacre merit no other justice than the gunshot of a soldier.”

The end of the Commune

The revenge is atrocious and out of proportion. The Commune killed 64 hostages yet the insurgents are now butchered by the thousands. Nobody is spared, even the injured patients in an ambulance along with the doctors and nurses. Women are shot with children in their arms.

Many innocents were shot along with the rebels

Four days after the battle is over, Emile Zola reports in a softened tone: “The court martials are still meeting and the summary executions continue, less numerous, it’s true. The sound of firing squads, which one still hears in the mournful city, atrociously prolongs the nightmare […] Paris is sick of executions. It seems to Paris that they’re shooting everyone. Paris is not complaining about the shooting of the members of the Commune, but of innocent people. It believes that, among the pile, there are innocent people, and that it’s time that each execution is preceded by at least an attempt at a serious inquiry […] When the echoes of the last shots have ceased, it will take a great deal of gentleness to heal the million people suffering nightmares, those who have emerged, shivering from the fire and massacre.”

G. Sand

Emerging, shivering from the fire, is also George Sand. She writes:” I come from Paris, and I do not know whom to speak to. I am suffocated. I am quite upset, or rather out of heart. The sight of the ruins is nothing compared to the great Parisian insanity. With very rare exceptions, everybody seemed to me only fit for the strait-jacket. One half of the population longs to hang the other half, which returns the compliment. That is clearly to be read in the eyes of the passers-by.”

Prisoners being taken to Versailles

The surviving rebels are marched twenty miles to Versailles. They suffer insults along the way. One of the gossipy Goncourt brothers later recalled that he saw society ladies, who had never raised their voice, vomit their hatred using invectives that would make a sailor blush.

Female prisoners awaiting interrogations

The trials were of short duration, with the execution shortly after

The prisoners, who were not condemned to death, were shipped to New Caledonia, an island in the Pacific Ocean.  Forty-three thousand were sent there in crowded conditions and with little food. A handful came back after the amnesty twenty years later.

In all, with thirty thousand dead, not counting the injured, and another forty thousand deported, it took over ten years to restore the Paris working force. These people were not only the manual laborers. They were also highly skilled workers and artisans of superior training. Even today, 146 years after the event, there are fresh flowers laid at the wall where the last Communards were executed. The working class keeps paying respect to the victims of this Parisian calamity.

Related posts:

Paris of the 1870s: Risen from the Ashes

12 Events That Influenced 19th Century Paris

Eugène Delacroix, Liberty Leading the People, 1830. As seen here, men can lose their pants when they are led by a woman with a relaxed sartorial attitude.

It’s the Fourteenth of July today, the anniversary of the French Revolution and, traditionally, the day of flag-waving, of a military parade on the Champs Elysées, and of public celebration. Somewhere between the celebratory speeches and the all-night partying, La Marseillaise will be played and sung with hearty enthusiasm or at least with a respectful attitude.

It is safe to say that there never was a song with more power to arouse the enthusiasm of the masses. Napoleon did not like to hear it after he proclaimed himself the Emperor, and the rabble-rousing song was outright forbidden under the monarchs who followed him on the French throne.  Despite that, it was publicly sung in 1830, in 1848, and in 1871 as revolution followed revolution.

The 1848 revolution painted by Alphonse de Lamartine

La Marseillaise was officially resuscitated by Napoleon III when he needed to motivate his troops during the Franco-Prussian War. The song alone could not save France from a thrashing by the Germans, but it was adopted as the national anthem soon after the fall of The Second Empire.  It is, by any measure, a bloodthirsty set of lyrics, but there had been in France a thin line between refinement and brutality as we have seen in The Bloodbath of the Paris Commune.

Public executions during the Paris Commune in 1871

However, there is something not quite right about the lyrics.  Let’s see if you agree (see also the video below):

Have you read carefully? Strange, indeed. The Children of the Fatherland are supposed to march against foreign cohorts who would make law in the French homes if such a terrible thing would have been allowed. Is that a call to revolution?

Of course not. To begin with, La Marseillaise did not originate in Marseille. It was born in Strasbourg as a war song for the Rhine Army and the author, Rouget de Lisle, was a Royalist.

Original score of the War Song for the Army of the Rhine (1792)

We in are April 25, 1792, and Rouget de Lisle is dining at the table of his friend Baron Dietrich. France has declared war against Austria and the talk is about patriotism. Dietrich is outraged that the French army does not yet have a hymn worthy of her name. Something is needed to rouse the troops, a song with a mustache, n’est ce-pas? All heads turn to Rouget de Lisle, who is known for his literary and musical abilities. Lightened with wine, Rouget agrees to write the song.

On his way home, he regrets the rash promise. What does he know about war songs? He is into nature and romance stuff. As he walks the streets of Strasbourg he does notice placard posters on the walls.

“To arms, citizens!” they shout.  “The banner of war is displayed! To arms! We must fight, defeat, or die. If we persist in being free, all the powers of Europe will see their sinful plots fail. Let them tremble, these crowned despots! The splendor of Liberty belongs to all men. You will prove worthy children of Liberty! Run to Victory! Defeat the armies of the despots!”

Rouget de Lisle sees this as a formidable source of inspiration for the song he is about to compose. He does not hesitate to seize whole sentences of the poster. To diversify his sources, he also opens a collection of poems by Boileau and shamelessly copies some verses from the illustrious poet. As for the opening phrase of his song, “Let’s go, children of the fatherland,” he does not go far to look for it either as he belongs to the battalion nicknamed “Les Enfants de la Patrie”.

One would think that Rouget de Lisle at least composed the music. Wrong again. A friend of his, who was also present at the famous dinner at Dietrich’s, a certain Ignace Pleyel, set the words to music. Not that he should be celebrated for his contribution because he stole the score of La Marche d’Ahasuerus, a piece composed by Lucien Grisons, some years previously. Thus, by the deed of triple plagiarism, was born the French anthem.

Auguste Pinelli: Rouget de Lisle Composing the Marseillaise, 1878

The success of the song was immediate. Without delay, the lyrics and score were printed and distributed to the soldiers. A few copies of this print run were scattered all over France and landed by chance in Marseille. The song immediately pleased the Marseille’s revolutionaries who were preparing to march on Paris. And here was an enormous band of rugged Southerners singing at the top of their voices the hymn of Rouget de Lisle in the streets of Paris, even though this one was destined to be sung on the Austrian battlefields.

Ironically—and history is loaded with this type of irony—Rouget de Lisle barely escaped the guillotine because of his blue blood. He was released from prison after Robespierre’s execution which marked the end of the Terror. It is also of note that, with the exception of Russia, other European countries achieved Liberty, Equality, and Fraternity in a much calmer manner and without shedding the blood of their aristocrats.

You can hear an excellent rendition of La Marseillaise here:

Related post:

The Bloodbath of the Paris Commune

Napoleon III and his family

Napoleon the Fourth? Was there ever such an emperor? Strangely enough, the Zulus in South Africa can tell you more about this personage than an average Frenchman. The Zulus know him as Prince Imperial and, each year, they celebrate his anniversary with the local version of pomp and circumstance. And why wouldn’t they if there is good tourist money in it?

Follow the road sign and you can visit the Prince Imperial’s museum, his memorial financed by Queen Victoria, and the battlefields of the Zulu War. You’ll be retracing Empress Eugenie’s pilgrimage the year after her son’s death. If you happen to be on this road the first Sunday in June, you can participate in a mass for his soul celebrated in French, English, and Latin.

Except for a few die-hard Bonapartists, Napoleon the Fourth may be forgotten in his homeland. For most of his short life, he was known as Prince Imperial, the heir to the French throne. In his childhood, he was the darling of the nation and, as he grew into a handsome young man, he became the treasured secret of many a young girl’s heart. He was to the French what John Kennedy Jr. was to the Americans and it is easy to understand that his premature death at the age of twenty-three caused consternation and grief for the whole nation.

Marie Bashkirtsheff, a Russian art student in Paris, tells us about this somber day in her diary:

As I was about to leave the studio at noon yesterday, Julian called to the servant through the speaking tube; she put her ear to the tube, and she said to us with some emotion:

“Ladies, M. Julian desires me to tell you that the Prince Imperial is dead.”

I gave a cry and sat down on the coal-box. Then, as everyone began to talk at once, Rosalie said:

“A moment of silence, if you please, ladies. The news is official; a telegram has just been received. He has been killed by the Zulus; this is was M. Julian says.”

The news had already begun to spread; so that when they brought me the Estafette with the words in capital letters, “Death Of Prince Imperial,” I cannot express how much I was shocked.

And then, no matter to what party one may belong, whether one be a Frenchman or a foreigner, it is impossible to avoid sharing in the feeling o consternation with which the news has been everywhere received.

One thing I will say, however, which none of the papers has said, and that is that the English are cowards and assassins. There is something mysterious about this death: there must be both treachery and crime at the bottom of it. Was it natural that a prince on whom all the hopes of his party were fixed should be thus exposed to danger, an only son?

I think there is no one devoid of feeling as not to be moved at the thought of his mother’s anguish. The most dire misfortune, the crudest of losses, may still leave some gleam of hope in the future, some possibility of consolation. This leaves none. One may say with truth that this is a grief like no other. It was because of her [Empress Eugenie] that he went; she gave him no peace; she tormented him; she allowed him no more than five hundred francs a month, a sum upon which he could hardly contrive to live. The mother and son parted on bad terms with each other. Do you perceive the horror of the thing? Can you understand how his mother must feel?

England has treated the Bonapartes shamefully on every occasion when they were so blind as to ask the help of that ignoble country, and it fills me with rage and hatred when I think of it.”

Thus spoke Marie in her youthful grief. That she seemed well-informed of the tensions between mother and son, tells us that she was an avid reader of the gossipy newspapers which began to bloom in that era. As for England’s bad treatment of the exiled Bonapartes, she could not be more wrong. There was a solid friendship between the British royalty and the Bonapartes that was born during Victoria and Albert’s visit to France in 1855. You can read about it in The Prince of Wales in Paris: Please Adopt Me! published here. Queen Victoria figured in Prince Imperial’s life on many occasions. To begin with, when Eugenie complained about the difficulty with getting pregnant, it was her good friend Victoria, mother of a large family, who gave her a valid advice which resulted in the prince’s birth.

Several sources reveal that Victoria reserved for him her youngest daughter Beatrice as a spouse regardless of the fact that after the Second Empire’s collapse in 1870 he became an heir without a throne. Like the Bonapartes, Victoria believed that her dear Loulou would reconquer his lost empire. So did the still strong Bonapartist party in the now Republican  France. Upon his father’s death in 1873, the young prince became Emperor Napoleon IV by the Bonapartists’ acclamation. It was—they hoped—only a question of time for the rightful ruler to claim his throne.

Napoléon Eugène Louis Jean Joseph Bonaparte, or Loulou to his family, was born March 16, 1856, and spent his early days in this splendid crib donated by the City of Paris. His godparents were Queen Victoria and Pope Pius IX. As the only child, he had no one to play with and his main entertainment was watching the guard manoeuvering in front of the palace windows. His love for the military was born there. Sometimes, he would also play at governing. Sitting at his father’s desk, he would seize important documents and fold them into animal forms. His adoring father would not dare to protest. As an aside, had he lived and cultivated his talent for sculpture, Loulou could have become a brilliant artist. There were many promises in the boy’s life, all of them unfulfilled.

The following video records the young man’s life from birth to death. We see the delightful child growing into a Prince Charming, we follow him to the exile in England, and from there to South Africa, and witness his heroic death at the hand of the Zulu warriors. We assist at his funeral in England and see his mother’s grief. The old empress then remembers happier times. All of it in six and a half minutes.

Marie was also wrong about the conspiracy regarding the prince’s death in South Africa. On the contrary, the British Army and the government freaked out at the idea of taking responsibility for the young man’s life. They wanted nothing to do with him and it took the joined effort of Eugenie and Victoria, with the special order from the latter, for him to be enlisted for the war in Zululand. Even at that, he was scrupulously kept away from the real action. Both women believed that the prince needed to cover himself with glory in order to succeed in his crown conquest.  As for the man himself, he did not need any encouragement. Eager to become a worthy heir of his famous great-uncle, Napoleon I, he studiously sought danger to the chagrin of his British “baby-sitters”.  He found his death in a seemingly deserted kraal where he decided it was time for a coffee break during a recognition ride. In the video that follows, the event is reconstructed based on the statements given the following day by the members of the patrol.

There remain many what-could-have-been questions.  What would have happened had the uncrowned Napoleon IV not lost his life that day? Would he have recovered his throne and brought back the Empire? How would that change France’s and, to some degree, Europe’s destiny? Queen Victoria might have hoped to establish her youngest daughter as the Empress of France, but would the French go for it? That remains doubtful. Would they have unanimously accepted an emperor who had been schooled in England, served in the British army and married a British Protestant princess? Questions, questions…

Related posts:

Eugenie, the Tragic Empress

Mark Twain on Napoleon III

It takes a lot of effort to become an emperor. First, you have to believe in yourself and your star, which is easy when you are a nephew of the Great Corsican and the heir to his fallen throne. But you also need an endless persistence: the strength to overcome failure, to dust yourself off after a hard fall, and to pursue your goal with renewed energy. Next, you need a lack of moral scruples, the ability to handle people and, finally, a serious heap of money. Louis-Napoleon Bonaparte checked off every item on this list except for the last one.

Louis-Napoleon Bonaparte

When we meet Louis-Napoleon in London, he is an errant prince with a busy past. He had staged two attempts at seizing power in France, was exiled to America for the first one, and imprisoned for life for the second attempt. He has recently escaped from a fortress, where he was supposed to rot, and now he is in London with only his name for a capital. He is thirty-eight years old.

What would you do at this stage of your life had you had these experiences? You and I would be glad to be alive and free, and we would be cured of our mad ambitions. Louis-Napoleon, on the contrary, was incurable and more than able to function in dire circumstances.

Although many unsavory rumors were later fabricated by his enemies, there is sufficient evidence that the prince behaved extremely badly during his American exile, where he was sent with the provision of fifteen thousand gold francs. Indeed, King Louis-Philippe, who then reigned in France, chose to reduce Louis-Napoleon’s first attempt at a coup d’état to a childish prank and he put some hush money into the youth’s pocket. After all, the Bonapartist feeling in France was still strong, and a political trial could rock the boat.

Louis-Napoleon, still in his twenties, managed to squander the money on New York’s whores. After being thrown out of three brothels for misbehaving and out of his hotel for “forgetting” to pay, he lodged with a prostitute and proceeded to live out of her earnings. If the woman’s clients complained about the price, Loulou was there to change their opinion with his fists. He thus ended in detention for assault and robbery. A good lawyer managed to set him free. The same lawyer, after Louis-Napoleon’s ascension to the throne, complained in a newspaper interview that he had never been paid for his effort.

Despite all that, one must not form an image of a lazy and brutal sex-addict. Louis-Napoleon had many intellectual qualities that later helped him in governing a nation. He was attentive and curious, pragmatic, and always willing to learn. During his imprisonment in the fortress of Ham, after the second botched coup d’état, he kept busy producing socio-economic pamphlets filled with progressive ideas that he realized later in life. He also managed to father two male children with the local washerwoman.

Women were not only his strongest interest, they were also the vehicles of his political ideas. Whether they fell in love with his legendary name and title, his romantic charisma, or with the man himself, is difficult to say but Louis-Napoleon never lacked a sweetheart willing to sacrifice herself for his political success. In London, after his escape from prison, that post was filled with Miss Harriet Howard.

Miss Harriet Howard

The daughter of a Brighton shoemaker, Harriet, then aged twenty-three, was a beautiful and refined courtesan, who had amassed a fortune, which she laid at Louis-Napoleon’s feet. Being supported by a woman was nothing new for the prince.  Harriet dumped her current rich keeper for him and begun to earn a fat income from attracting clients to a gambling club.  For good measure, she also took in Louis-Napoleon’s two small sons whom he had to leave behind in France.

Thanks to Harriet’s industry, Louis-Napoleon was able to lead a comfortable life. Again, he kept busy writing. This time, he was correcting his manuscript The History and the Future of Artillery and producing a study on an economically profitable canal in Nicaragua. He also kept current on the news from France.  On February 26, 1848, he learned that there was a revolution in Paris.

The 1848 revolution painted by Alphonse de Lamartine

There had been nothing drastically wrong with King Louis-Philippe’s government but, since the First Revolution, the French people became accustomed to uprising for real or imagined wrongs. This time, some clumsy government actions and a couple of moral scandals resulted in a riot which accidentally turned into a revolution. Not knowing what was wrong, and therefore unable to do something about it, Louis-Philippe gave up and, while the revolutionary mob was ransacking the royal palace of Tuileries, he bought a boat ticket for England.

Crossing the Channel in the opposite direction was Prince Louis-Napoleon with Harriet’s fortune. He would need it to finance his candidacy in the first electoral campaign in the French history. This time, everything went well for the prince. His name worked magic, and his innovative social and economic ideas spoke for him. He was elected to be the first president of the Second Republic. He would also be the last one. At the end of his four-year mandate, he would stage his third and successful coup d’état to put the imperial crown on his head under the name of Napoleon III. The Second Empire would last for eighteen prosperous years.  Until the next revolution . . .

Napoleon III (same man, improved wardrobe)

And Miss Harriet Howard in all this? After having financed an enormous electoral campaign, Harriet was often seen in the Prince-President’s company but she was never invited to the Elysée Palace where the official business took place. The post of the First Lady was occupied by Louis-Napoleon’s cousin, Princess Mathilde. Still, Harriet kept hoping that her day would come when her lover would carry the imperial crown. Four years later, when no invitation came from the Tuileries Palace, the seat of the newly-formed imperial court, Harriet decided that she would wait no longer. She went there uninvited. It was the first, and the last time she appeared publicly in the emperor’s presence.

What happened next would have happened anyway but Harriet’s initiative did speed up the process.  The next day, her dear Loulou came to visit her, which was not unusual as they maintained a warm relationship, but this time he offered her an official mission to England. He provided her with a list of persons whom she should visit to establish a good relationship between England and France. Thrilled to be named a goodwill ambassador, Harriet accepted to leave at once. When she and her escort reached the seashore, bad weather prevented them from boarding their ship. While waiting for the weather to clear, Harriet purchased a newspaper where she read the announcement of the emperor’s engagement to Eugenie de Montijo. She returned to Paris at once.

Back home, she found her apartment in disorder, with the upholstery slashed open and her desk taken apart. All compromising correspondence was missing. In the end, Harriet fared better than the unpaid New York lawyer. She received a hereditary title, becoming the Countess de Beauregard, and retired to her country chateau of the same name. At her request, she continued to care for the washerwoman’s little boys.

Harriet’s château

Related posts:

Eugenie, the Tragic Empress

Loulou and the Zulus: The Life and Death of Napoleon IV

Mark Twain on Napoleon III

Carriages returning from a Sunday parade in the Bois

A previous post described the random free spectacles of the Paris streets. The largest and most ostentatious free show had a steady schedule. Every day, between 2:00 and 4:00 PM, the wealthy shamelessly exposed their luxury to each other, and to the unwashed masses, in the Bois de Boulogne parade.

Going to the Bois on a workday

Before becoming the favorite place of all social Paris in the 19^th century, the Bois de Boulogne had a history. Originally, the forest extended on the plains and hillsides of the right bank of the Seine. A landmark of brigands and vagabonds, the ancient forest was also the favorite place of royal hunts. At the end of Napoleon I’s regime, it was devastated by the occupying troops who encamped there. Although in poor condition and crossed by narrow roads of bad quality, it became nevertheless, around 1830, the rendezvous of all Paris society.

In 1852, the State yielded the wood to the city of Paris with the charge of its development and maintenance. Emperor Napoleon III had envisioned the creation of a large landscaped park similar to Hyde Park. The project was entrusted to the engineer J.J. Alphand who created two lakes, the largest of which measures 19 hectares. Various amenities: large alleys, the racecourse of Longchamp (opened in 1858), the Garden of Acclimatization, and several restaurants completed the whole landscape.

During the Second Empire (1852-1870), the equestrian rendezvous of the Bois de Boulogne was rated as a meeting of the supreme social chic. The chroniclers of the time tell us of its splendor:

“At the height of luxury was the attelage à la Grand Daumont, with its postilions in livery— of sober or bright colors according to the tastes of the masters—the footmen behind the hood, arms crossed, the two men in a row on horses of the same dress as the four draft horses. Then there came the eighth-spring, the queen of the passenger carriages. There was also the elegant half-Daumont of a duke with horses very close and absolutely under the whip of the gentleman-coachman who drove almost standing. The tandem cabriolet was another fantasy designed to bring out the talent of the gentleman-coachman. Then came a cute cart dragged by two pretty ponies under the hand of the elegant lady who also wanted to show that she could hold the reins.  All aristocratic, luxurious and worldly Paris was there, struggling with elegance and sumptuousness … “

Romance, or the carnal desire, also played its part. The poet Beaudelaire best describes the mood:

“Sometimes a horseman gallops gracefully beside an open carriage, and his horse appears, by his bows, to salute in his own way. The carriage carries away, in an alley streaked with light and shade, the beauties lying as in a boat, indolent, vaguely listening to the gallantries fall into their ears and indulging themselves lazily in the wind of the promenade. The fur and muslin rise to their chins and overflow like a wave over the door. The servants are stiff, perpendicular, inert, and all alike; it is always the monotonous and featureless effigy of punctual, disciplined servility … “

On the side of the great courtesans, luxury was no less brilliant. The famous Madame Musard had a half-Daumont, whose postilions were dressed in violet livery and mounted black horses of admirable beauty. Cora Pearl had set up her stable and was leading it with an authority that made the gossips tell that she must have been brought up by a groom. Adele Courtois, Caroline Letessier, the Barucci, famous for the baccarat affair, all had their car driven to the Daumont, and their livery could compete with those of the oldest houses of the Faubourg Saint-Germain.

Lady Harriet, the courtesan who financed the emperor while he was waiting for his crown, approached by her colors the imperial livery. Madame Lejeune had the audacity to do better. She took the imperial colors outright. One day, her Daumont went out, preceded by two scouts in green and gold, with a hunter on horseback at the left door and two carriage boys following also on horseback. As she had a certain resemblance to the Empress, all the sergeants of the town who saw the arrival of this crew on the Place de la Concorde, rushed forward, made room for them, and finally raised the chains of the Arc de Triomphe, so that the sovereign could pass. She went in this style to the entrance of the Bois. This adventure made a big noise. As a consequence, it was expressly forbidden to employ a livery which, even approximately, recalled that of the Emperor.

This luxury only grew from year to year. It was at its peak in 1867 at the time of the World Exposition. With the fall of the Empire, the splendor would gradually fade: the walks in the Bois and participation in the various events took a different look.

Courses in the Bois de Boulogne by Eduard Manet 1872

During the siege of Paris, part of the food of fish and game came from the Bois. More destructive authorization was given to the trade of timber dealers to exploit the Bois de Boulogne. The devastation increased during the battles between Versailles and the Communards. After the war, the southern part, the most devastated, was transformed into the racecourse of Auteuil. From 1872, social life resumed and we could see again the parades of carriages crossing the Bois for the Grand Prix de Longchamp.

After the Great War ended in 1918, this activity declined. The prodigal nobility of the nineteenth and early twentieth century no longer existed. Only the profiteers of war, the new rich, held the high ground and the automobile had taken over. An époque ended.

Related posts:

The English Courtesan that Made a French Emperor

The Guide to Gay Paree 1868: Sightseeing

“I equal the highest-born ladies with my birth, I surpass them with my beauty, and I judge them with my mind.” Thus spoke Virginia Oldoïni, Countess of Castiglione, who was convinced that she was the most beautiful woman since God had created the World. With this attitude, she managed to lead not one but several lives. Conspirator and diplomat in petticoats, an emancipated courtesan, a pioneer of photography,  an art director and producer, La Castiglione was, above all, a professional beauty. Aged only 18, married for a year and mother of a male child, Virginia—Nicchia to family and friends—already managed to add several lovers to her stable of admirers in her native land. One of them was Victor Emmanuel II, King of Sardinia, who dreamt of a united Italy.

A part of Northern Italy (in yellow) was then a territory of the Austrian Empire and the Austrians were unwilling to part with it. An armed conflict could not be won without strong allies. One of the most desirable allies for this project was Napoleon III. Knowing the French monarch’s penchant for women, Victor Emmanuel and his minister Cavour (Virginia’s cousin) thought of the Pearl of Italy as Virginia was then known. They charged her with the mission of convincing the French emperor to lend a helping hand for the unification of the country. Impressed with the importance of the plot, she accepted eagerly. The king and his minister profited from their visit to France by spreading the rumor of her beauty so that when she finally appeared in Paris, in January 1856, she was the object of a wide-spread curiosity at the Court.

A costume ball saw La Castiglione in her famous Queen of Hearts outfit. She wears it without a corset and the transparent gauze reveals her bosom. Empress Eugenie remarked with open sarcasm that the heart was seated too low

The diplomatic task was not as easy as Virginia expected. Napoleon III, usually easily seducible, resisted for four agonizing months.  During that time, the countess spent heavily on extravagant outfits with very low-cut necklines. One wit observed that the larger Virginia’s décolletages became, the less room there remained in men’s pants. She began to specialize in spectacular entrances, usually toward the end of social gatherings. On one such occasion, she entered the ballroom as Napoleon III was leaving. “You are too late,” he said to her. “No, Sire. You are leaving too early,” she retorted.

This marked a break in her bad luck. The emperor, who had considered her a dull doll, took notice. Her appearance at a masked ball as a Decadent Roman Woman finally brought result. With her abundant hair loose and her skirt split to show a nude leg, a ring on each toe, she caused a sensation. A crowd gathered around her to gape; some women even climbed onto the furniture to get a better view. Within a week, she became the emperor’s mistress and her letters describing successful pillow talks reached the Sardinian embassy to be dispatched by the diplomatic mail.

While Virginia enjoyed the status of the emperor’s mistress, her impoverished husband returned home to sell the family silver. His wife’s extravagance had ruined him and the pair separated for good. Virginia made no friends at the French court either. She was heartily hated by all for her stupid arrogance. They called her the Too Much Countess and when she kept bragging about her lover’s gifts, the emperor cut her off without mercy. Napoleon III would not tolerate indiscreet mistresses.

The Too Much Countess

After two years basking in the imperial favor, La Castiglione returned home to Turin, defeated, and soon sank into boredom. She brightened up when Victor Emmanuel granted her a pension for her diplomatic merits. She began to travel to the courts of Europe as her scandalous reputation led to invitations from people who wanted to satisfy their curiosity. During her stay at the court of the King of Prussia, she made the acquaintance of Chancellor Bismarck. Her second chance at diplomacy came much later (in 1871) when Napoleon III, ill, defeated, and with his empire in ruins, asked her to intervene with Bismarck to cancel his plan for the Prussian army to occupy Paris. Paris was spared the Prussian occupation.

During her first stay in Paris, Virginia posed for many photographs. She returned in 1861 with her son Giorgio to have more pictures taken. This was a hobby, and a passion, that was to last for the next forty years. She spent her fortune on elaborate costumes and props

In 1863, she was invited to a costume ball in the imperial palace. She appeared disguised as Queen of Etruria. Virginia rushed the next day to the photography studio to immortalize her outfit. Convinced of her success and her return to the upper echelons, she took lascivious and suave poses, miming innocence. However, the costume was judged scandalous. The press was unleashed and she was accused of appearing naked at the party.

Her husband, still in Italy, threatened to take Giorgio back. She responded with a photograph called “The Vengeance”. In this picture, she is dressed in the same costume of Queen of Etruria but with a cape covering her shoulders. Another addition is a dagger she holds in her hand. After this, her husband ceased to protest.

The volcanic countess continued to produce dramatic photographs of herself for many years. The Metropolitan Museum in New York has a collection of some 400 of them. Virginia appears as a tragic victim,  a pursued virgin, a nun, an Odalisque, and many other incarnations. She was the first to invent dramatic poses. By choosing the costumes, the angles, and the shots, she wrote a new chapter in the history of photography.

La Castiglione in 1875. As the years passed, the mirror returned a less satisfactory image.

Women, who build their life on their beauty alone, suffer when old age hits.  A few of the lucky ones accept their fate and do not fight the wrinkles. Others hang on using artificial means to keep their beauty until they become the caricatures of their former selves. Some go into hiding.  No longer able to admire herself in the mirror, Virginia banned all mirrors from her house. With both her husband and her son deceased, she ended her days alone, immured in a modest Parisian apartment with the walls covered in black and the shutters closed. She died in 1899, aged 62. The Italian embassy immediately dispatched an agent to burn all possible compromising correspondence.

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